SUAL Archives | 2007

Patrick McGinley: Framework— artist talk and concert

#1                  murmer live on orange 94.0, 2007.12.06
Duration:     23‘24“    
Type:             Recorded live at SUAL 2007 (radio performance on Orange 94.0, Vienna)
Credits:        Audio recording provided by the artist

#2                  Framework Show #177 (excpt.)
Duration:     25‘17“    
Type:             Radio Broadcast on Resonance FM, London, December 2007
Credits:        Audio tracks provided by the artists, radio mix by Patrick McGinley

Framework Show #177 (excpt)

Host: Patrick McGinley


00:00 – 08:39  /  katie gately  /  framework intro
03:03 – 19:45  /  murmer  /  we share a shadow (part one)
10:07 – 23:58  /  michael prime  /  insectivorous bats
13:33 – 19:00  /  camilla hannan  /  part 4 (itchy)
15:11 – 22:35  /  camilla hannan  /  part 1 (light)
21:51 – 25:18  /  mountains  /  sewn one
23:59 – 32:28  /  michael prime  /  banana rattan
25:04 – 38:28  /  camilla hannan  /  part 5

Patrick McGinley

Patrick McGinley (aka murmer) is an American-born sound, performance, and radio artist who has been based in Europe since 1996. Since then, he has been building a collection of found sounds and found objects that has become the basis of all his work. In 2002, he founded framework, an organization that produces a weekly field-recording themed radio show, broad, and podcasting around the world. In 2005, he began working closely with the artist-run organization MoKS in southeast Estonia, relocating there permanently in 2009. Most recently, McGinley has been giving presentations, workshops, and performances based on the exploration of site-specific sound (with the revenant project) and sound as definition of space. In live performance his interest in field recording has developed into an attempt to integrate and resonate found sounds, found objects, specific spaces, and moments in time, in order to create a direct and visceral link with an audience and location.

Murmer’s work is about small discoveries and concentrated attention; it focuses on the framing of the sounds around us which normally pass through our ears unnoticed and unremarked, but which out of context become unrecognizable, alien and extraordinary: crackling charcoal, a squeaking escalator, a buzzing insect, or one’s own breath. he works equally with spaces, objects, resonances, and people, in composition, performance, or simply collective action and experience, in exploration of perception via attentive listening.

[info as of 03/2019]