{"id":311,"date":"2019-02-23T21:15:31","date_gmt":"2019-02-23T20:15:31","guid":{"rendered":"http:\/\/www.samoizbor.me\/css\/?page_id=311"},"modified":"2019-04-05T16:11:19","modified_gmt":"2019-04-05T14:11:19","slug":"2013-2","status":"publish","type":"page","link":"https:\/\/www.sual-archives.net\/css\/sual-archives\/2013-2\/","title":{"rendered":"2013"},"content":{"rendered":"\t\t
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shut up and listen! 2013<\/span><\/strong>
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END LESS NESS<\/span><\/strong><\/p>

Wednesday, November 20, 2013<\/span><\/u><\/p>

Hermann Nitsch:<\/a><\/b> orgelkomposition in 4 s\u00e4tzen<\/i> \u2013 organ recital at the Jesuit Church<\/span><\/p>

Thursday, November 21, 2013<\/span><\/u><\/p>

Jean-Fran\u00e7ois Laporte:<\/a><\/b> Mantra <\/i>\u2014 sound projection<\/span>
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Wolfgang Gratzer:<\/b> About the formation and perception of endless music<\/i> \u2014 lecture<\/span><\/div>

Radu Malfatti:<\/a> <\/b>Claude-Lorrain 1<\/i> for trombone and sound projection<\/span>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0\u00a0 Gunter Schneider & Barbara Romen:<\/a><\/b> Im Rohr<\/i><\/span><\/p>

Friday, November 22, 2013<\/span><\/u><\/p>

shut up and listen! Award 2013<\/b> \u2014 award ceremony and presentation of selected works<\/span>
Awardees: Helga Arias Parra<\/a> | Jamez Dean<\/a> | Felipe Otondo<\/a><\/b><\/span><\/p>

Alvin Lucier:<\/b> On the Carpet of Leaves illuminated by the Moon<\/i> for violoncello and sine wave oscillator<\/span>
Michael Moser:<\/a><\/b> Locomotion Traces<\/i> for cello, two snare drums, two transducers and sound projection<\/span>
featuring Michael Moser,<\/a><\/b> violoncello<\/span><\/p>

John Cage:<\/b> ASLSP <\/i>for piano<\/span>
featuring Manon-Liu Winter<\/b>, piano<\/span><\/p>

Saturday, November 23, 2013<\/span><\/u><\/p>

\u00c9liane Radigue:<\/a><\/b> Trilogie de la Mort (Kyema)<\/i> \u2014 listening room<\/span><\/p>

afterwards: brunch<\/span><\/p>

November 21\u201323, 2013<\/span><\/u><\/p>

Sabine Groschup:<\/b> (JC{639}) <\/i>\u2014 experimental film<\/span>
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Yumi Kori:<\/b> Mon \u2013 Portable Infinity Device<\/i> \u2014 architectural object<\/span><\/div>

Gunter Schneider: <\/b>IM ROHR<\/i> \u2014 sound sculpture<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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November 20-23, 2013 | echoraum <\/b>| Jesuit Church<\/b><\/span><\/p>

Under the motto END LESS NESS, the eighth season of shut up and listen!<\/i> aims at long enduring artistic endeavors, and the possibly illusory idea of an infinite music, comprising (quasi-)continuous sound presentations as well as repetitive or static sound strategies of diverse makings and provenance, such as drones, textures, pulsations, silences, …<\/span><\/p>

Hermann Nitsch gives one of his rare organ recitals at the Viennese Jesuit Church. The Musique concr\u00e8te composition Mantra <\/i>by Qu\u00e9becois Jean-Fran\u00e7ois Laporte is based on a recording of a nightly ride with a Zamboni (a machine cleaning the surface of ice hockey rinks). The musicologist Wolfgang Gratzer reflects upon listening processes and preconditions of infinite music, while Radu Malfatti merges pure tones with sounds of his trombone, leaving just as much space for silence as for sound itself. Gunter Schneider and Barbara Romen transmit their instrumental sounds into a long cardboard tube, and in turn improvise responding to the sonic output of this natural sound filtering device. Schneider\u2019s sound sculpture Im Rohr<\/i> can be experienced throughout the entire festival. Following the presentation of the shut up and listen! Award 2013<\/i> (featuring price-winning works by Helga Arias Parra, Jamez Dean and Felipe Otondo), the violoncellist Michael Moser performs works by Alvin Lucier and himself, exploring the physicality of sound and corresponding listening strategies. With ASLSP<\/i>, Manon-Liu Winter presents a piano composition by John Cage which in its version for organ received world-wide attention: the presentation of ORGAN\u00b2\/ASLSP<\/i> in a church in Halberstadt, Germany, has been going on for the past twelve years and is supposed to last for another, rather eternal, 627 years. This project is also the subject of Sabine Groschup\u2019s experimental film (JC{639})<\/i>. Sending us one of her Portable Infinity Devices<\/i>, the Japanese architect Yumi Kori captures infinity inside a small acrylic box. This year\u2019s listening room features Kyema<\/i>, the first part of \u00c9liane Radigue\u2019s opus magnum Trilogie de la Mort<\/i>, followed by a festival brunch.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

shut up and listen! 2013 END LESS NESS Wednesday, November 20, 2013 Hermann Nitsch: orgelkomposition in 4 s\u00e4tzen \u2013 organ … Continue Reading2013<\/span><\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":2057,"parent":96,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"folder":[],"class_list":["post-311","page","type-page","status-publish","has-post-thumbnail","hentry"],"amp_enabled":true,"_links":{"self":[{"href":"https:\/\/www.sual-archives.net\/css\/wp-json\/wp\/v2\/pages\/311","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.sual-archives.net\/css\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.sual-archives.net\/css\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.sual-archives.net\/css\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.sual-archives.net\/css\/wp-json\/wp\/v2\/comments?post=311"}],"version-history":[{"count":24,"href":"https:\/\/www.sual-archives.net\/css\/wp-json\/wp\/v2\/pages\/311\/revisions"}],"predecessor-version":[{"id":2058,"href":"https:\/\/www.sual-archives.net\/css\/wp-json\/wp\/v2\/pages\/311\/revisions\/2058"}],"up":[{"embeddable":true,"href":"https:\/\/www.sual-archives.net\/css\/wp-json\/wp\/v2\/pages\/96"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.sual-archives.net\/css\/wp-json\/wp\/v2\/media\/2057"}],"wp:attachment":[{"href":"https:\/\/www.sual-archives.net\/css\/wp-json\/wp\/v2\/media?parent=311"}],"wp:term":[{"taxonomy":"folder","embeddable":true,"href":"https:\/\/www.sual-archives.net\/css\/wp-json\/wp\/v2\/folder?post=311"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}