{"id":309,"date":"2019-02-23T21:15:11","date_gmt":"2019-02-23T20:15:11","guid":{"rendered":"http:\/\/www.samoizbor.me\/css\/?page_id=309"},"modified":"2019-04-05T22:03:20","modified_gmt":"2019-04-05T20:03:20","slug":"2012-2","status":"publish","type":"page","link":"https:\/\/www.sual-archives.net\/css\/sual-archives\/2012-2\/","title":{"rendered":"2012"},"content":{"rendered":"\t\t
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shut up and listen! 2012<\/span><\/strong>
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FAR OUT<\/span><\/strong><\/p>

Friday, November 30, 2012<\/span><\/u><\/p>

Anna Thorvaldsdottir:<\/b> Orchestronics <\/i>\u2014 audiovisual composition<\/span>
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Werner Dafeldecker:<\/b> monolith <\/i>\u2014 artist talk & sound projection<\/span><\/div>

Werner Raditschnig:<\/a> <\/b>EISKLANG<\/i><\/span><\/p>

Saturday, December 1, 2012<\/span><\/u><\/p>

shut up and listen! Award 2012<\/b> \u2014 award ceremony and presentation of selected works<\/span>
Awardees:\u00a0Chin Ting Chan<\/a> | Cormac Crawley<\/a> | Aur\u00e9lio Edler-Copes<\/a> | Robert Schwarz<\/a><\/b><\/span><\/p>

Belma Be\u0161li\u0107-G\u00e1l:<\/a> <\/b>Jan Mayen (Remembering Beerenberg)<\/i> for accordion and sound projection<\/span>
Arne Nordheim:<\/b> Dinosaurus <\/i>for accordion and sound projection<\/span>
featuring Andrej Serkow<\/a><\/b>, accordion<\/span><\/p>

Carlos Casas:<\/b> Siberian Fieldworks (Fieldworks#10)<\/i> \u2014 audiovisual presentation<\/span><\/p>

Michael Vorfeld:<\/a> <\/b>Gl\u00fchlampenmusik <\/i>\u2014 audiovisual performance<\/span><\/p>

November 30 to December 1, 2012<\/span><\/u><\/p>

Petra Sandner:<\/b> arctic <\/i>\u2014 exhibition<\/span><\/p>

Gruenrekorder<\/a>:<\/b> Far Out<\/i> \u2014 listening room<\/span>
Works by Andreas Bick<\/a> | Mark Lorenz Kysela<\/a> | Danny McCarthy<\/a> | Craig Vear<\/a><\/b><\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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November 30 – December 1, 2012 | echoraum<\/b><\/span><\/p>\n

Antarctica and the Arctic, Baffin Island and the Chukchi Peninsula, Greenland and Iceland \u2013 in 2012, shut up and listen!<\/i> focuses on the most remote regions on Earth, in particular the two polar regions, with its motto FAR OUT. As always, the festival presents a broad palette of artistic positions with works based on real and imagined journeys to these regions and contributions by artists from bordering countries.<\/span><\/p>\n

Werner Dafeldecker describes his voyage to Antarctica and presents a selection of the field recordings he made there. The programme also includes the audiovisual composition Orchestronics <\/i>by the Icelandic composer Anna Thorvaldsdottir and Werner Raditschnig\u2019s electroacoustic performance Eisklang<\/i>. This year\u2019s shut up and listen! Award<\/i> goes to four winners: Chin Ting Chan, Cormac Crawley, Aur\u00e9lio Edler-Copes and Robert Schwarz. In addition to performing Edler-Copes\u2019s award-winning work, Andrej Serkow plays two more pieces for accordion and sound projection: Dinosaurus <\/i>by the Norwegian composer Arne Nordheim and Belma Be\u0161li\u0107-G\u00e1l\u2019s Jan Mayen (Remembering Beerenberg)<\/i>, which was inspired by the Norwegian adventurer Erik Aaseth\u2019s expedition to the island of the same name. The Spanish filmmaker Carlos Casas presents his audiovisual field recordings from the Chukchi Peninsula at the outer reaches of northeastern Siberia in Siberian Fieldworks (Fieldworks#10)<\/i>. In his performance Gl\u00fchlampenmusik <\/i>Michael Vorfeld makes reference to the magical attraction of blue light. An exhibition shows visual artist Petra Sandner\u2019s impressions of a trip to the Arctic regions of Northern Canada. Set up in conjunction with the German label Gruenrekorder, the listening room contains phonography from Antarctica and other similar regions recorded by Andreas Bick, Mark Lorenz Kysela, Danny McCarthy and Craig Vear.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

shut up and listen! 2012 FAR OUT Friday, November 30, 2012 Anna Thorvaldsdottir: Orchestronics \u2014 audiovisual compositionWerner Dafeldecker: monolith \u2014 … Continue Reading2012<\/span><\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":844,"parent":96,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"folder":[],"class_list":["post-309","page","type-page","status-publish","has-post-thumbnail","hentry"],"amp_enabled":true,"_links":{"self":[{"href":"https:\/\/www.sual-archives.net\/css\/wp-json\/wp\/v2\/pages\/309","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.sual-archives.net\/css\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.sual-archives.net\/css\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.sual-archives.net\/css\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.sual-archives.net\/css\/wp-json\/wp\/v2\/comments?post=309"}],"version-history":[{"count":18,"href":"https:\/\/www.sual-archives.net\/css\/wp-json\/wp\/v2\/pages\/309\/revisions"}],"predecessor-version":[{"id":2185,"href":"https:\/\/www.sual-archives.net\/css\/wp-json\/wp\/v2\/pages\/309\/revisions\/2185"}],"up":[{"embeddable":true,"href":"https:\/\/www.sual-archives.net\/css\/wp-json\/wp\/v2\/pages\/96"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.sual-archives.net\/css\/wp-json\/wp\/v2\/media\/844"}],"wp:attachment":[{"href":"https:\/\/www.sual-archives.net\/css\/wp-json\/wp\/v2\/media?parent=309"}],"wp:term":[{"taxonomy":"folder","embeddable":true,"href":"https:\/\/www.sual-archives.net\/css\/wp-json\/wp\/v2\/folder?post=309"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}