{"id":307,"date":"2019-02-23T21:14:47","date_gmt":"2019-02-23T20:14:47","guid":{"rendered":"http:\/\/www.samoizbor.me\/css\/?page_id=307"},"modified":"2019-04-02T09:35:45","modified_gmt":"2019-04-02T07:35:45","slug":"2011-2","status":"publish","type":"page","link":"https:\/\/www.sual-archives.net\/css\/sual-archives\/2011-2\/","title":{"rendered":"2011"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-post\" data-elementor-id=\"307\" class=\"elementor elementor-307\" data-elementor-post-type=\"page\">\n\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-9ccb89d elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"9ccb89d\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-top-column elementor-element elementor-element-8d30edf\" data-id=\"8d30edf\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-03e35b6 elementor-widget elementor-widget-text-editor\" data-id=\"03e35b6\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><strong><span style=\"font-size: 18pt;\">shut up and listen! 2011<\/span><\/strong><strong><span style=\"font-size: 12pt;\"><br \/><\/span><\/strong><\/p><p><strong><span style=\"font-size: 12pt;\">NEAR WEST<\/span><\/strong><\/p><p><u><span style=\"font-size: 10pt;\">Thursday, December 8, 2011<\/span><\/u><\/p><p><span style=\"font-size: 10pt;\"><b><a href=\"http:\/\/www.sual-archives.net\/css\/sual-archives\/2011-2\/hossam-mahmoud\/\" rel=\"noopener\">Hossam Mahmoud:<\/a><\/b> <i>Die S\u00f6hne der Onkel. Musiktraditionen des Nahen Ostens<\/i> \u2014 lecture<\/span><\/p><p><span style=\"font-size: 10pt;\"><b><a href=\"http:\/\/www.sual-archives.net\/css\/sual-archives\/2011-2\/hossam-mahmoud\/\" rel=\"noopener\">Hossam Mahmoud:<\/a><\/b> <i>Der Atem der Reinheit<\/i> for oud and violin<\/span><br \/><span style=\"font-size: 10pt;\">featuring <b><a href=\"http:\/\/www.sual-archives.net\/css\/sual-archives\/2011-2\/hossam-mahmoud\/\" rel=\"noopener\">Hossam Mahmoud<\/a>,<\/b> oud | <b><a href=\"http:\/\/www.sual-archives.net\/css\/sual-archives\/2011-2\/hossam-mahmoud\/\" rel=\"noopener\">Frank Stadler<\/a>, <\/b>violin<\/span><\/p><p><span style=\"font-size: 10pt;\"><b>shut up and listen! Award 2011<\/b> \u2014 award ceremony and presentation of selected works <\/span><br \/><span style=\"font-size: 10pt;\">Awardees:\u00a0<b><a href=\"http:\/\/www.sual-archives.net\/css\/sual-archives\/2011-2\/cormac-crawley\/\" rel=\"noopener\">Cormac Crawley<\/a> | <a href=\"http:\/\/www.sual-archives.net\/css\/sual-archives\/2011-2\/christopher-haworth\/\" rel=\"noopener\">Christopher Haworth<\/a> | <a href=\"http:\/\/www.sual-archives.net\/css\/sual-archives\/2011-2\/wysozky-arden-day\/\" rel=\"noopener\">Wysozky &amp; Arden Day<\/a><\/b><\/span><\/p><p><span style=\"font-size: 10pt;\"><b><a href=\"http:\/\/www.sual-archives.net\/css\/sual-archives\/2011-2\/mazen-hussein\/\" rel=\"noopener\">Mazen Hussein:<\/a><\/b> <i>M\u00e9moire, Hommage, D\u00e9part<\/i> \u2014 sound projection<\/span><span style=\"font-size: 10pt;\"><b><br \/><\/b><\/span><\/p><p><span style=\"font-size: 10pt;\"><b><a href=\"http:\/\/www.sual-archives.net\/css\/sual-archives\/2011-2\/franz-hautzinger-mazen-kerbaj\/\" rel=\"noopener\">Franz Hautzinger &amp; Mazen Kerbaj:<\/a><\/b> <i>Live at SUAL<\/i> \u2014 trumpet &amp; trumpet<\/span><\/p><p><u><span style=\"font-size: 10pt;\">Saturday, December 10, 2011<\/span><\/u><\/p><p><span style=\"font-size: 10pt;\"><b>Samuli Schielke &amp; Daniela Swarowsky: <\/b><i>Messages from Paradise #1<\/i> \u2014 documentary<\/span><\/p><p><span style=\"font-size: 10pt;\"><b><a href=\"http:\/\/www.sual-archives.net\/css\/sual-archives\/2011-2\/seth-ayyaz\/\" rel=\"noopener\">Seth Ayyaz<\/a> | Bernhard G\u00e1l | <a href=\"http:\/\/www.sual-archives.net\/css\/sual-archives\/2011-2\/mazen-hussein\/\" rel=\"noopener\">Mazen Hussein<\/a> | <a href=\"http:\/\/www.sual-archives.net\/css\/sual-archives\/2011-2\/mise_en_scene\/\" rel=\"noopener\">mise_en_scene<\/a> | <a href=\"http:\/\/www.sual-archives.net\/css\/sual-archives\/2011-2\/oliver-schneller\/\" rel=\"noopener\">Oliver Schneller<\/a> | Daniela Swarowsky:<\/b> <i>Near West<\/i> \u2014 panel discussion<\/span><\/p><div><span style=\"font-size: 10pt;\"><b><a href=\"http:\/\/www.sual-archives.net\/css\/sual-archives\/2011-2\/amr-okba\/\" rel=\"noopener\">Amr Okba:<\/a> <\/b><i>Solo for Harp<\/i> for harp solo<\/span><span style=\"font-size: 10pt;\"><b><br \/><\/b><\/span><\/div><div><span style=\"font-size: 10pt;\"><b><a href=\"http:\/\/www.sual-archives.net\/css\/sual-archives\/2011-2\/yoav-pasovsky\/\" rel=\"noopener\">Yoav Pasovsky:<\/a><\/b> <i>Opus sectile<\/i> for harp solo<\/span><\/div><div><span style=\"font-size: 10pt;\">featuring <b>Gabriela Mossyrsch<\/b>, harp<\/span><\/div><div><span style=\"font-size: 10pt;\"><b>\u00a0<\/b><\/span><\/div><div><span style=\"font-size: 10pt;\"><b><a href=\"http:\/\/www.sual-archives.net\/css\/sual-archives\/2011-2\/seth-ayyaz\/\" rel=\"noopener\">Seth Ayyaz:<\/a><\/b> <i>The Bird Ghost at the Zaouia<\/i><\/span><span style=\"font-size: 10pt;\"><b><br \/><\/b><\/span><\/div><div><span style=\"font-size: 10pt;\"><b><a href=\"http:\/\/www.sual-archives.net\/css\/sual-archives\/2011-2\/mise_en_scene\/\" rel=\"noopener\">mise_en_scene:<\/a> <\/b><i>Midrone<\/i><\/span><\/div><p><span style=\"font-size: 10pt;\"><b><a href=\"http:\/\/www.sual-archives.net\/css\/sual-archives\/2011-2\/oliver-schneller\/\" rel=\"noopener\">Oliver Schneller:<\/a><\/b> <i>Polis <\/i>\u2014 eight-channel promenade concert<\/span><\/p><p><u><span style=\"font-size: 10pt;\">December 8 and 10, 2011<\/span><\/u><\/p><p><span style=\"font-size: 10pt;\"><b>gold extra:<\/b> <i>Frontiers &#8211; Ein Computerspiel, das an die Grenzen Europas f\u00fchrt <\/i>\u2014 media art<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-top-column elementor-element elementor-element-20ba691\" data-id=\"20ba691\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-7ea0deb elementor-widget elementor-widget-text-editor\" data-id=\"7ea0deb\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><span style=\"font-size: 10pt;\">December 8 and 10, 2011 | <b>echoraum<\/b><\/span><\/p><p><span style=\"font-size: 10pt;\">In 2011 <i>shut up and listen!<\/i> opens its doors in a new venue: echoraum, Vienna. This year\u2019s motto <i>NEAR WEST<\/i> focuses attention on contemporary positions in music and (sound) art from Israel, Palestine and the bordering countries as well as on artists whose work explicitly concentrates on this region. The title of this year\u2019s edition turns the tables, paving the way for a change of perspectives, and at the same time addresses the theme of diverse cultural kinships of \u201cunhostile siblings\u201d.<\/span><\/p><p><span style=\"font-size: 10pt;\">In <i>Frontiers \u2013 Ein Computerspiel, das an die Grenzen Europas f\u00fchrt<\/i> the artist group <i>gold extra<\/i> portrays stops along the route of refugees travelling from the Sub-Saharan region of Africa to Europe and reinterprets with subversive undertones various game concepts found in the first-person shooter genre. In his lecture <i>Die S\u00f6hne der Onkel <\/i>the Egyptian composer Hossam Mahmoud addresses Middle Eastern music traditions and along with the violinist Frank Stadler performs the world premiere of a work for oud and violin. This year marks the birth of the <i>shut up and listen! Award<\/i>, and the winning works by Cormac Crawley, Christopher Haworth and Wysozky &amp; Arden Day are performed as part of the festival programme. In his electroacoustic compositions <i>M\u00e9moire, Hommage and D\u00e9part<\/i> the Berlin-based composer Mazen Hussein works through the memories of his childhood in Syria. And finally, two legendary trumpeters come together for a duo concert: Franz Hautzinger and Mazen Kerbaj. Day two of the festival begins with the documentary film <i>Messages from Paradise #1<\/i> by Samuli Schielke and Daniela Swarowsky, in which stories about immigration shed light on the pros and cons of living in Europe. Next comes a panel discussion about cultural identity and rediscovering one\u2019s roots from afar. Gabriela Mossyrsch performs works for harp by Amr Okba and Yoav Pasovsky. Shay Nassi aka mise_en_scene from Tel Aviv gives a live performance. Seth Ayyaz makes reference to audio recordings he has been collecting of various Sufi shrines, mosques and other religious sites in Egypt, Lebanon, Morocco and Syria. In <i>Polis<\/i>, a multi-channel realization of his soundscape composition, Oliver Schneller presents audio recordings from Cairo, Beirut, Istanbul and Jerusalem.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>shut up and listen! 2011 NEAR WEST Thursday, December 8, 2011 Hossam Mahmoud: Die S\u00f6hne der Onkel. Musiktraditionen des Nahen &hellip; <span class=\"more-button\"><a href=\"https:\/\/www.sual-archives.net\/css\/sual-archives\/2011-2\/\" class=\"more-link\">Continue Reading<span class=\"screen-reader-text\">2011<\/span><\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":842,"parent":96,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"folder":[],"class_list":["post-307","page","type-page","status-publish","has-post-thumbnail","hentry"],"amp_enabled":true,"_links":{"self":[{"href":"https:\/\/www.sual-archives.net\/css\/wp-json\/wp\/v2\/pages\/307","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.sual-archives.net\/css\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.sual-archives.net\/css\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.sual-archives.net\/css\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.sual-archives.net\/css\/wp-json\/wp\/v2\/comments?post=307"}],"version-history":[{"count":20,"href":"https:\/\/www.sual-archives.net\/css\/wp-json\/wp\/v2\/pages\/307\/revisions"}],"predecessor-version":[{"id":1767,"href":"https:\/\/www.sual-archives.net\/css\/wp-json\/wp\/v2\/pages\/307\/revisions\/1767"}],"up":[{"embeddable":true,"href":"https:\/\/www.sual-archives.net\/css\/wp-json\/wp\/v2\/pages\/96"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.sual-archives.net\/css\/wp-json\/wp\/v2\/media\/842"}],"wp:attachment":[{"href":"https:\/\/www.sual-archives.net\/css\/wp-json\/wp\/v2\/media?parent=307"}],"wp:term":[{"taxonomy":"folder","embeddable":true,"href":"https:\/\/www.sual-archives.net\/css\/wp-json\/wp\/v2\/folder?post=307"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}