{"id":1514,"date":"2019-03-29T21:13:41","date_gmt":"2019-03-29T20:13:41","guid":{"rendered":"http:\/\/www.samoizbor.me\/css\/?page_id=1514"},"modified":"2019-04-05T17:34:44","modified_gmt":"2019-04-05T15:34:44","slug":"peter-ablinger","status":"publish","type":"page","link":"https:\/\/www.sual-archives.net\/css\/sual-archives\/2017-2\/peter-ablinger\/","title":{"rendered":"Peter Ablinger"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-post\" data-elementor-id=\"1514\" class=\"elementor elementor-1514\" data-elementor-post-type=\"page\">\n\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-0027709 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"0027709\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-618e764\" data-id=\"618e764\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-79faf01 elementor-widget elementor-widget-text-editor\" data-id=\"79faf01\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><b>SUAL Archives | 2017<\/b><\/p><p><b>Peter Ablinger:<\/b> <i>Renate Fuczik<\/i> for piano and 1 loudspeaker<\/p><p><span style=\"font-size: 10pt;\">Duration: \u00a0\u00a0 \u00a0 15\u201842\u201c<\/span><br \/><span style=\"font-size: 10pt;\">Featuring: \u00a0\u00a0 \u00a0Peter Ablinger, sound direction | Jaime Wolfson, piano <\/span><br \/><span style=\"font-size: 10pt;\">Type:\u00a0\u00a0 \u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Recorded live at SUAL 2017<\/span><br \/><span style=\"font-size: 10pt;\">Credits:\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0 Audio recording by JF, editing by BG<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-fbbde47 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"fbbde47\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-top-column elementor-element elementor-element-d8a96bf\" data-id=\"d8a96bf\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-f329daa elementor-widget elementor-widget-text-editor\" data-id=\"f329daa\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div 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.amazingaudioplayer-item-title { \toverflow: hidden; }  #wonderpluginaudio-97 .amazingaudioplayer-track-item:before, #wonderpluginaudio-97 .amazingaudioplayer-track-item:after { \tdisplay: none; }  #wonderpluginaudio-97 ul, #wonderpluginaudio-97 li { \tlist-style-type: none; }  #wonderpluginaudio-97 .amazingaudioplayer-tracklistsearch { \tbox-sizing: border-box; \tpadding: 4px; }  #wonderpluginaudio-97 .amazingaudioplayer-tracklistsearch-input { \tbox-sizing: border-box; \twidth: 100%; }\");<\/script><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-top-column elementor-element elementor-element-9e25f32\" data-id=\"9e25f32\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap\">\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-fa286b6 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"fa286b6\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-3efbe7d\" data-id=\"3efbe7d\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-d763c9b elementor-widget elementor-widget-text-editor\" data-id=\"d763c9b\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><b><span style=\"font-size: 10pt;\">Renate Fuczik<\/span><\/b><\/p><p><span style=\"font-size: 10pt;\">for piano and 1 loudspeaker (2006-2026)<\/span><\/p><p><span style=\"font-size: 10pt;\">a 24 hours (or endless) piece | any duration<\/span><\/p><p><span style=\"font-size: 10pt;\">completed so far: 264&#8242; (12:00-13:24 and 18:00-21:00)<\/span><\/p><p><span style=\"font-size: 10pt;\">The piece is based on the voice recording of the former Austrian phone time, which was reached since the 70&#8217;s under the phone number 1503. Every 10 seconds, a woman&#8217;s voice, for example at 18:19:20, repeated: &#8220;It is with the Summer-tone 18 clock, 19 minutes and 20 seconds [tut].&#8221; Spokeswoman was an employee of the Austrian Post, Renate Fuczik. In the future all 24 hours should be available for the composition &#8220;Renate Fuczik&#8221;. A performance may have any duration (10 seconds, 3 minutes, 1 hour, etc.), but in any case must match the real time exactly &#8211; which in this case is the &#8220;Viennese time&#8221; (= Central European Time, CET). The piece is part of the cycle &#8220;Voices and Piano&#8221;, but can also be presented independently or in other constellations (see e.g. The OPERARIA cycle &#8220;Die durschscheinende Zeit \/ Translucent Time).&#8221; (English un-edited)<\/span><\/p><p><a href=\"http:\/\/ablinger.mur.at\/txt_RenateFuczik.html\" target=\"_blank\" rel=\"noopener\"><strong><span style=\"font-size: 10pt;\">http:\/\/ablinger.mur.at\/txt_RenateFuczik.html<\/span><\/strong><\/a><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-c1633b3 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"c1633b3\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-3b320b3\" data-id=\"3b320b3\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-e7f2c9a elementor-widget elementor-widget-text-editor\" data-id=\"e7f2c9a\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><b><span style=\"font-size: 10pt;\">Jaime Wolfson<\/span><\/b><\/p><p><span style=\"font-size: 10pt;\">Jaime Wolfson studierte an der Musikuniversit\u00e4t Wien sowie an der Bruckneruniversit\u00e4t Linz Klavier, Dirigieren und Komposition bei Leopold Hager, Erwin Ortner, Yuji Yuasa, Michel Jarrell und Johannes Marian u.a. Besonderen Einfluss auf Wolfson hatte ein Interpretationskurs bei Gy\u00f6rgy Kurt\u00e1g (mit Werke von L.v. Beethoven und G. Kurt\u00e1g). Interpretationskurse bei Christian Wolff, Georg Nussbaumer, Hans Zender, Peter Herbert, Manon Liu-Winter u.a. schlossen sich an. Besonders wichtige Impulse f\u00fcr seine Dirigiert\u00e4tigkeit holte er sich direkt bei der Arbeit mit dem Ensemble Wiener Collage (fixes Mitglied seit 2009) von dessen Leiter Ren\u00e9 Staar (www.ewc.at). Wolfson ist Mitbegr\u00fcnder und Leiter des Ensemble Platypus f\u00fcr Neue Musik (gegr\u00fcndet 2009), mit welchem er in Lateinamerika und in mehreren L\u00e4ndern Europas konzertierte (www.platypus.or.at). Er arbeitete u.a. mit Peter Ablinger, Georg Nussbaumer, Michael Jarrell, Jorge S\u00e1nchez-Chiong, Wolfgang Mitterer und Dieter Kaufmann zusammen. Konzertreisen f\u00fchrten ihn nach Japan, S\u00fcdamerika und in viele St\u00e4dte Europas. 2016-17 war Wolfson Assistent vom Prof. J. Marian an der Universit\u00e4t f\u00fcr Musik und darstellende Kunst Wien. Seit April 2017 ist er Senior Lecturer f\u00fcr Neue Musik am Joseph Haydn Institut.<\/span><\/p><p><a href=\"http:\/\/ewc.at\/de\/composers\/JaimeWolfson\/\" target=\"_blank\" rel=\"noopener\"><strong><span style=\"font-size: 10pt;\">http:\/\/ewc.at\/de\/composers\/JaimeWolfson\/<\/span><\/strong><\/a><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-1ada29d elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"1ada29d\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-e512bfc\" data-id=\"e512bfc\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-1a333fa elementor-widget elementor-widget-text-editor\" data-id=\"1a333fa\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><b><span style=\"font-size: 10pt;\">Peter Ablinger<\/span><\/b><\/p><p><span style=\"font-size: 10pt;\">By now I have grown older, and use glasses increasingly often. With glasses I can see roughly as well as I used to. Without glasses I see less, and distant things in particular are blurred. So I have the impression that my radius of perception is narrowing, withdrawing to the point from which I gaze. I have the impression that without glasses, I lose something of the world that I can still retain with glasses. The impression (the illusion) is interesting, because one wonders what really makes the difference between a world that is reached (even better) and one that is no longer (or less well) reached.<\/span><\/p><p><span style=\"font-size: 10pt;\">Peter Ablinger, born in Austria in 1959, has lived in Berlin since 1982.<\/span><\/p><p><a href=\"http:\/\/ablinger.mur.at\" target=\"_blank\" rel=\"noopener\"><strong><span style=\"font-size: 10pt;\">http:\/\/ablinger.mur.at<\/span><\/strong><\/a><\/p><p><span style=\"font-size: 10pt;\">[info as of 12\/2017]<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>SUAL Archives | 2017 Peter Ablinger: Renate Fuczik for piano and 1 loudspeaker Duration: &nbsp;&nbsp; &nbsp; 15\u201842\u201c Featuring: &nbsp;&nbsp; &nbsp;Peter &hellip; <span class=\"more-button\"><a href=\"https:\/\/www.sual-archives.net\/css\/sual-archives\/2017-2\/peter-ablinger\/\" class=\"more-link\">Continue Reading<span class=\"screen-reader-text\">Peter Ablinger<\/span><\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":2126,"parent":106,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"folder":[],"class_list":["post-1514","page","type-page","status-publish","has-post-thumbnail","hentry"],"amp_enabled":true,"_links":{"self":[{"href":"https:\/\/www.sual-archives.net\/css\/wp-json\/wp\/v2\/pages\/1514","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.sual-archives.net\/css\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.sual-archives.net\/css\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.sual-archives.net\/css\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.sual-archives.net\/css\/wp-json\/wp\/v2\/comments?post=1514"}],"version-history":[{"count":3,"href":"https:\/\/www.sual-archives.net\/css\/wp-json\/wp\/v2\/pages\/1514\/revisions"}],"predecessor-version":[{"id":2134,"href":"https:\/\/www.sual-archives.net\/css\/wp-json\/wp\/v2\/pages\/1514\/revisions\/2134"}],"up":[{"embeddable":true,"href":"https:\/\/www.sual-archives.net\/css\/wp-json\/wp\/v2\/pages\/106"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.sual-archives.net\/css\/wp-json\/wp\/v2\/media\/2126"}],"wp:attachment":[{"href":"https:\/\/www.sual-archives.net\/css\/wp-json\/wp\/v2\/media?parent=1514"}],"wp:term":[{"taxonomy":"folder","embeddable":true,"href":"https:\/\/www.sual-archives.net\/css\/wp-json\/wp\/v2\/folder?post=1514"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}