{"id":1497,"date":"2019-03-29T20:41:54","date_gmt":"2019-03-29T19:41:54","guid":{"rendered":"http:\/\/www.samoizbor.me\/css\/?page_id=1497"},"modified":"2019-04-05T17:02:38","modified_gmt":"2019-04-05T15:02:38","slug":"carte-bleu","status":"publish","type":"page","link":"https:\/\/www.sual-archives.net\/css\/sual-archives\/2016-2\/carte-bleu\/","title":{"rendered":"Carte Bleu"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-post\" data-elementor-id=\"1497\" class=\"elementor elementor-1497\" data-elementor-post-type=\"page\">\n\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-1840733 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"1840733\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-7c7c460\" data-id=\"7c7c460\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-96cbca7 elementor-widget elementor-widget-text-editor\" data-id=\"96cbca7\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><b>SUAL Archives | 2016<\/b><\/p><p><b>Carte Bleu <\/b>(Variation on Yves Klein: Symphonie Monoton-Silence)<\/p><p><span style=\"font-size: 10pt;\">Duration: \u00a0\u00a0 \u00a0\u00a0 27\u201850\u201c<\/span><br \/><span style=\"font-size: 10pt;\">Featuring: \u00a0\u00a0 \u00a0Tiziana Bertoncini, violin | Irene Kepl, violin | noid, violoncello | Aiko Kazuko Kurosaki, performance<\/span><br \/><span style=\"font-size: 10pt;\">Type:\u00a0\u00a0 \u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Recorded live at SUAL 2016<\/span><br \/><span style=\"font-size: 10pt;\">Credits:\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Audio recording and editing by AH<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-b8b3779 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"b8b3779\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-top-column elementor-element elementor-element-259b79c\" data-id=\"259b79c\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-ebdb945 elementor-widget elementor-widget-text-editor\" data-id=\"ebdb945\" data-element_type=\"widget\" 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class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><b><span style=\"font-size: 10pt;\">Carte Bleu<\/span><\/b><\/p>\n<p><span style=\"font-size: 10pt;\">According to Yves Klein, Symphonie Monoton \u2014 Silence was conceived in 1947-48. The score, which indicates a rather diffuse date of 1947-1961, consists solely of a D major chord, arranged for orchestra and choir, and includes the durational specification of 5 to 7 minutes plus 44 seconds of silence. At a later point Klein will also describe his vision of 20 minutes of sound followed by a period of silence of equal length. However, such a performance was never realized during the life time of the artist. The starting point of CARTE BLEU is the actual premiere of the work at the Galerie internationale d\u2019art contemporain in Paris on March 3rd, 1960, in conjunction with the opening of Klein\u2019s exhibition Anthropom\u00e9trie de l\u2019epoque bleue. This event shows aspects of (live) painting, performance and music. In this sense, one can easily relate it to early Happenings of the 1960s. Unfortunately, there is no audio document, but a (silent) film and some photographs reveal valuable details of the performance situation and the spatial and musical setting (3 violins, 3 violoncellos, 3 singers). The overall duration of the performance is unknown, but may be assumed somewhere around 10 minutes. CARTE BLEU is not intended as a historical restaging of the original work, but rather a subjective interpretation and free variation, on the basis of the underlying acoustic and visual elements. Aiko Kazuko Kurosaki is in command of the visual and performative situation, while the musical realization lies in the hands of Tiziana Bertoncini, Irene Kepl and noid.<\/span><\/p>\n<p><span style=\"font-size: 10pt;\">[Bernhard G\u00e1l]<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-ccd0224 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"ccd0224\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-6fa118d\" data-id=\"6fa118d\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-e3c0921 elementor-widget elementor-widget-text-editor\" data-id=\"e3c0921\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><b><span style=\"font-size: 10pt;\">Tiziana Bertoncini<\/span><\/b><\/p>\n<p><span style=\"font-size: 10pt;\">After graduating in violin and in painting Bertoncini played as interpreter in orchestras and chamber music ensembles. Since many years she has been focusing on contemporary music, written and improvised. Her work is developing from interpretation ad improvisation towards composition and collaboration with artists of other medias. At the same time her interest is focused on the crossing and synthesis between visual elements and music\/sound. She has been performing in many international festivals and contexts and has been part of numerous dance, theatre, video and multi-media projects, contributing the musical part of them. Her \u201csolo\u201d work includes composition, performance and installation. In 2011 her electro-acoustic piece \u201cNur Sand\u201d was awarded at the competition Ferrari (r)\u00e9cout\u00e9 announced by hr2-kultur, ZKM | Institute for Music and Acoustics. She is part of the ensemble]h[iatus, which moves in the territories of improvisation and interpretation of contemporary pieces. She was artist in residence at \u201cBridge guard \u2013 Residential Art\/Science Centre\u201d in St\u00farovo\/SK, AIR Krems, Centre National de Cr\u00e9ation Musicale C\u00e9sar\u00e9 in Reims\/F, K\u00fcnstlerhaus Eckernf\u00f6rde and GEDOK Schleswig-Holstein.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-35d9a13 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"35d9a13\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-812f9ff\" data-id=\"812f9ff\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-b3669e3 elementor-widget elementor-widget-text-editor\" data-id=\"b3669e3\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><b><span style=\"font-size: 10pt;\">Irene Kepl<\/span><\/b><\/p><p><span style=\"font-size: 10pt;\">The renowned violinist and composer studied classical violin, jazz and improvisation at the Anton Bruckner University in Linz. For a decade now, she\u2019s engaging explicitly in contemporary music, free improvisation and composition as well as jazz. Additionally, her work includes collaborations with theatres, film and dance. For her compositional work she has been chosen for grants and awards like the G. Mahler Prize, as well as the Theodor K\u00f6rner Composition prize, the Talent Promotional Fund for Composition Upper Austria and the Starting Grant of the BKA for Music, Austria. Additionally, she\u2019s been invited to residencies, most recently \u201cmusic OMI\u201d New York. Commissioned works for \u201cWiener Festwochen\u201d, ORF Musikprotokoll, Brucknerfest Linz, Tossi Company Arnhem\/NLD &amp; Hamburg\/Ger. As a musician she was invited to Klangspuren Tirol, Java Jazz Festival\/IO, 12points\/SE und Moers Festival\/Ger. The most recent projects are: SololoS (CD Fou records 2017), Violet Spin (CD Listen Closely 2017), Ensemble Verso, Kepl &amp; Holub (CD Slam records 2015), the resonators (CD Another Timbre 2016).<\/span><\/p><p><a href=\"http:\/\/www.irenekepl.at\" target=\"_blank\" rel=\"noopener\"><strong><span style=\"font-size: 10pt;\">http:\/\/www.irenekepl.at<\/span><\/strong><\/a><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-26d6624 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"26d6624\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-259d804\" data-id=\"259d804\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-100708a elementor-widget elementor-widget-text-editor\" data-id=\"100708a\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><b><span style=\"font-size: 10pt;\">noid (aka Arnold Haberl)<\/span><\/b><\/p><p><span style=\"font-size: 10pt;\">composer . performer . improviser | auricular . cello . electronic devices<\/span><\/p><p><span style=\"font-size: 10pt;\">his musical approach can be described as fundamental research. his works span a wide range of contradictory outcome, from solos to compositions for ensembles, from sound installations to videos. using electronics as well as acoustical instruments. consequently denying the borderline between music and sound-art. this lead him to collaborations with artists of different fields &#8211; choreographers, like jo\u00e3o fiadeiro, colette sadler, akemi takeya, philipp gehmacher, etc. &#8211; visual artists as for instance alexander schellow, heike kaltenbrunner, erik hable or andr\u00e9 goncalves. as an improviser he performs among others with: klaus filip, taku unami, o.blaat, axel doerner, christian weber, erikM, dieb13, kazuhisa uchihashi, burkhard stangl, yan jun, taku han-noda, carl stone, mattin, etc. he is programmer for the &#8220;ppooll&#8221; project: an open source \/ copyleft \/ freeware, designed for live \u2013 improvisation, composition, interactive installations, etc&#8230; together with klaus filip (the main programmer) he was invited to present this software at the cycling74 user conference in san francisco april 2009 [http:\/\/ppooll.klingt.org]. he is part of the organizing team for the annual \u201creheat\u201d interdisciplinary festival [http:\/\/reheat.klingt.org], and he was curating sound art exhibitions in the framework of the \u201ckonfrontationen nickelsdorf&#8221; festival in 2009 and 2010.<\/span><\/p><p><a href=\"http:\/\/noid.klingt.org\" target=\"_blank\" rel=\"noopener\"><strong><span style=\"font-size: 10pt;\">http:\/\/noid.klingt.org<\/span><\/strong><\/a><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-8947103 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"8947103\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-9ff35e0\" data-id=\"9ff35e0\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-f3717a1 elementor-widget elementor-widget-text-editor\" data-id=\"f3717a1\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><b><span style=\"font-size: 10pt;\">Aiko Kazuko Kurosaki<\/span><\/b><\/p><p><span style=\"font-size: 10pt;\">Born in Tokyo\/Japan &#8211; studied dance and music in Vienna and Chicago. Scholarships for dance in Vienna, Salzburg and Chicago. Artistic director of the series &#8220;Tanzwerkstatt Metropol&#8221; 1988\/89, Vienna. Member of Cie. Ariadone\/ Carlotta Ikeda \/Butoh and assistant of Carlotta Ikeda in Vienna (ImPulsTanz), Tokyo, Paris, Berlin, Bordeaux a.o. 1991-1999. Solos: &lt; Kokoron&gt; premiere 1993, Festival f. zeitgen\u00f6ssische Kunst &#8211; Bolzano (I), Showwindow \/ display project 2009, LABfactory, Vienna \/ &lt; BLANK &gt; for &#8220;Untergang Art&#8221; a coproduction Tanzquartier Vienna and NOMAD.theatre \/ &lt;Nett\u00f3&gt; tanz ist Festival f. zeitgen. Tanz, Dornbirn (A) 2013 a.o. &#8211; diverse solo and group projects (Cie.Aiko): Festival Transart Labin (K) \/ Haapsalu, Laanemetsa (Est) \/ Imagetanz Wien\/ Q202,Wien \/ Soho in Ottakring \/ &#8216;tanz ist Festival f\u00fcr zeitgen\u00f6ssischen Tanz in Dornbirn&#8217;. Performances, living installations, performative interventions in public space, transdisciplinary projects. Projects focussed on environment and social critical topics: performance \/ flash mob at the UNO &#8211; City Vienna for the memorial day of Hiroshima and Nagasaki against the reopening of the nuclear power plants in Japan after Fukushima, co-initiator and artistic director for One Billion Rising Vienna &#8211; to end violence against women and girls in front of the Parliament in Vienna since 2013. Since 2015 head of OBRA &#8211; One Billion Rising Austria (non-profit association).<\/span><\/p><p><a href=\"http:\/\/www.aikaku.net\" target=\"_blank\" rel=\"noopener\"><strong><span style=\"font-size: 10pt;\">http:\/\/www.aikaku.net<\/span><\/strong><\/a><\/p><p><span style=\"font-size: 10pt;\">[info as of 12\/2016]<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>SUAL Archives | 2016 Carte Bleu (Variation on Yves Klein: Symphonie Monoton-Silence) Duration: &nbsp;&nbsp; &nbsp;&nbsp; 27\u201850\u201c Featuring: &nbsp;&nbsp; &nbsp;Tiziana Bertoncini, &hellip; <span class=\"more-button\"><a href=\"https:\/\/www.sual-archives.net\/css\/sual-archives\/2016-2\/carte-bleu\/\" class=\"more-link\">Continue Reading<span class=\"screen-reader-text\">Carte Bleu<\/span><\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":2105,"parent":108,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"folder":[],"class_list":["post-1497","page","type-page","status-publish","has-post-thumbnail","hentry"],"amp_enabled":true,"_links":{"self":[{"href":"https:\/\/www.sual-archives.net\/css\/wp-json\/wp\/v2\/pages\/1497","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.sual-archives.net\/css\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.sual-archives.net\/css\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.sual-archives.net\/css\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.sual-archives.net\/css\/wp-json\/wp\/v2\/comments?post=1497"}],"version-history":[{"count":3,"href":"https:\/\/www.sual-archives.net\/css\/wp-json\/wp\/v2\/pages\/1497\/revisions"}],"predecessor-version":[{"id":2115,"href":"https:\/\/www.sual-archives.net\/css\/wp-json\/wp\/v2\/pages\/1497\/revisions\/2115"}],"up":[{"embeddable":true,"href":"https:\/\/www.sual-archives.net\/css\/wp-json\/wp\/v2\/pages\/108"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.sual-archives.net\/css\/wp-json\/wp\/v2\/media\/2105"}],"wp:attachment":[{"href":"https:\/\/www.sual-archives.net\/css\/wp-json\/wp\/v2\/media?parent=1497"}],"wp:term":[{"taxonomy":"folder","embeddable":true,"href":"https:\/\/www.sual-archives.net\/css\/wp-json\/wp\/v2\/folder?post=1497"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}