{"id":1491,"date":"2019-03-29T20:35:12","date_gmt":"2019-03-29T19:35:12","guid":{"rendered":"http:\/\/www.samoizbor.me\/css\/?page_id=1491"},"modified":"2019-04-05T17:01:00","modified_gmt":"2019-04-05T15:01:00","slug":"belma-beslic-gal","status":"publish","type":"page","link":"https:\/\/www.sual-archives.net\/css\/sual-archives\/2016-2\/belma-beslic-gal\/","title":{"rendered":"Belma Be\u0161li\u0107-G\u00e1l"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-post\" data-elementor-id=\"1491\" class=\"elementor elementor-1491\" data-elementor-post-type=\"page\">\n\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-e297bbf elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"e297bbf\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-a24050b\" data-id=\"a24050b\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-a3cebda elementor-widget elementor-widget-text-editor\" data-id=\"a3cebda\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><b>SUAL Archives | 2016<\/b><\/p><p><b>Belma Be\u0161li\u0107-G\u00e1l:<\/b> <i>Echo II<\/i> \u2014 For Piano and Video Projection<\/p><p><span style=\"font-size: 10pt;\">Duration: \u00a0\u00a0 \u00a0 3\u201806\u201c (excpt)<\/span><br \/><span style=\"font-size: 10pt;\">Featuring:\u00a0\u00a0\u00a0\u00a0 Belma Be\u0161li\u0107-G\u00e1l, piano<\/span><br \/><span style=\"font-size: 10pt;\">Type:\u00a0\u00a0 \u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Recorded live at SUAL 2016<\/span><br \/><span style=\"font-size: 10pt;\">Credits:\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0 Audio recordings by JF, editing by BG<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-9ac3090 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"9ac3090\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-top-column elementor-element elementor-element-7590719\" data-id=\"7590719\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-efa9010 elementor-widget elementor-widget-text-editor\" data-id=\"efa9010\" data-element_type=\"widget\" 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class=\"elementor-widget-wrap\">\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-603c829 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"603c829\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-cbbb5ce\" data-id=\"cbbb5ce\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-1b278e1 elementor-widget elementor-widget-text-editor\" data-id=\"1b278e1\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><b><span style=\"font-size: 10pt;\">Echo II<\/span><\/b><\/p>\n<p><span style=\"font-size: 10pt;\">The idea was to test interactions between visual inputs and generated shadows, real and false images, live generated and pre-produced sounds. Final goal was to create a picture of one parallel reality. An analysis of Fellini\u2019s movie \u2018La dolce vita\u2019 brought to light three different sound layers. Each one represents specific visual component of the movie. The music is the reflection of the story, but focuses on philosophical, psychological and sociological aspects of it. It reflects the emptiness and the fake happiness of the post-war jet-set society.<\/span><\/p>\n<p><span style=\"font-size: 10pt;\">[Belma Be\u0161li\u0107-G\u00e1l]<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-8d1f2c2 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"8d1f2c2\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-328ea6d\" data-id=\"328ea6d\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-f15b236 elementor-widget elementor-widget-text-editor\" data-id=\"f15b236\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><b><span style=\"font-size: 10pt;\">Belma Be\u0161li\u0107-G\u00e1l<\/span><\/b><\/p><p><span style=\"font-size: 10pt;\">Born on February 7th, 1978 in Tuzla (SR Bosnia and Herzegovina, SFR Yugoslavia). Austrian \/ Slovenian \/ Bosnian composer, curator, artist and pianist, living in Vienna. First music studies (piano) in Tuzla with Professor Planinka Juri\u0161i\u0107-Ati\u0107. In year 1993 she moves to Germany, ten years later to Austria. 1996-2001: Piano studies, Hochschule f\u00fcr Musik Franz Liszt Weimar (Gerlinde Otto, Lazar Berman). 2003-2009: Studies of composition, music theory and music theatre, Kunstuniversit\u00e4t Graz (Bernhard Lang, Klaus Lang). Selected active participant at Darmst\u00e4dter Ferienkurse and Akademie f\u00fcr Neue Musik &#8211; Meisterkurse an der Hochschule f\u00fcr Musik und Theater M\u00fcnchen (2012) where she works with Rebecca Saunders and Wolfgang Rihm. Additional master classes with Brian Ferneyhough, Rapha\u00ebl Cendo, Germ\u00e1n Toro-P\u00e9rez. Co-Curator of the Festival shut up and listen! in Vienna (www.sp-ce.net) since 2011. The fundamental component of her artistic work is an intensive intellectual confrontation with the aspect of musical time within the deconstructed compositional form, as well as the (destructive) impact of reactionism and nationalism on post-Yugoslav art and culture. Further important fields of interest within her transdisciplinary approach to various representational forms of contemporary electroacoustic composition are integration of nihilistic and futuristic ideas and concepts into the web of compositional structure and influence of manned spaceflight and space sociology and psychology on the hypothetical compositional concepts of tomorrow. Be\u0161li\u0107-G\u00e1l\u2019s music has been presented in concerts and radio portraits in Europe and both Americas and was commissioned and performed by famous ensembles such as Ensemble Kontrapunkte, Ensemble Reconsil, mise en ensemble, oenm ensemble, szene instrumental, Ensamble del Cepromusic, I z M Ensemble &#8230; Her compositions have been premiered at festivals and venues such as Soundings Festival at the Austrian Cultural Forum in London, Styriarte Festival (Graz), Musikverein (Vienna), Arnold Schoenberg Center (Vienna), ICMC &#8211; International Computer Music Conference (Ljubljana), Festival Sl\u00e1turt\u00ed\u00f0 (Reykjav\u00edk), Encuentro 2 del Arte Sonoro Tsonami (Buenos Aires). Her composition flut was representing New Music from Austria at the ISCM World Music Days in Bratislava (2013). For her work she received awards such as the Staatsstipendium f\u00fcr Komposition 2014 (Austrian Ministry of Culture), I z S-Kunst &amp; Kulturpreis 2011 (Ingrid zu Solms-Stiftung), Internationales Arbeitsstipendium \u2018Composer in Residence \u2013 Komponistinnen nach Frankfurt 2011\u2019 (Archiv Frau und Musik), Arbeitsstipendium of the State of Salzburg 2012, Kompositionsf\u00f6rderungen, City of Vienna 2014, 2015.<\/span><\/p><p><a href=\"http:\/\/belmabeslic-gal.eu\" target=\"_blank\" rel=\"noopener\"><strong><span style=\"font-size: 10pt;\">http:\/\/belmabeslic-gal.eu<\/span><\/strong><\/a><\/p><p><span style=\"font-size: 10pt;\">[info as of 12\/2016]<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>SUAL Archives | 2016 Belma Be\u0161li\u0107-G\u00e1l: Echo II \u2014 For Piano and Video Projection Duration: &nbsp;&nbsp; &nbsp; 3\u201806\u201c (excpt) Featuring:&nbsp;&nbsp;&nbsp;&nbsp; &hellip; <span class=\"more-button\"><a href=\"https:\/\/www.sual-archives.net\/css\/sual-archives\/2016-2\/belma-beslic-gal\/\" class=\"more-link\">Continue Reading<span class=\"screen-reader-text\">Belma Be\u0161li\u0107-G\u00e1l<\/span><\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":2105,"parent":108,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"folder":[],"class_list":["post-1491","page","type-page","status-publish","has-post-thumbnail","hentry"],"amp_enabled":true,"_links":{"self":[{"href":"https:\/\/www.sual-archives.net\/css\/wp-json\/wp\/v2\/pages\/1491","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.sual-archives.net\/css\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.sual-archives.net\/css\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.sual-archives.net\/css\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.sual-archives.net\/css\/wp-json\/wp\/v2\/comments?post=1491"}],"version-history":[{"count":4,"href":"https:\/\/www.sual-archives.net\/css\/wp-json\/wp\/v2\/pages\/1491\/revisions"}],"predecessor-version":[{"id":2107,"href":"https:\/\/www.sual-archives.net\/css\/wp-json\/wp\/v2\/pages\/1491\/revisions\/2107"}],"up":[{"embeddable":true,"href":"https:\/\/www.sual-archives.net\/css\/wp-json\/wp\/v2\/pages\/108"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.sual-archives.net\/css\/wp-json\/wp\/v2\/media\/2105"}],"wp:attachment":[{"href":"https:\/\/www.sual-archives.net\/css\/wp-json\/wp\/v2\/media?parent=1491"}],"wp:term":[{"taxonomy":"folder","embeddable":true,"href":"https:\/\/www.sual-archives.net\/css\/wp-json\/wp\/v2\/folder?post=1491"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}