{"id":1465,"date":"2019-03-29T19:38:54","date_gmt":"2019-03-29T18:38:54","guid":{"rendered":"http:\/\/www.samoizbor.me\/css\/?page_id=1465"},"modified":"2019-04-05T17:03:20","modified_gmt":"2019-04-05T15:03:20","slug":"gomberg-revisited","status":"publish","type":"page","link":"https:\/\/www.sual-archives.net\/css\/sual-archives\/2016-2\/gomberg-revisited\/","title":{"rendered":"GOMBERG REVISITED"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-post\" data-elementor-id=\"1465\" class=\"elementor elementor-1465\" data-elementor-post-type=\"page\">\n\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-001402a elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"001402a\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-db5a6bc\" data-id=\"db5a6bc\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-4724ace elementor-widget elementor-widget-text-editor\" data-id=\"4724ace\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><b>SUAL Archives | 2016<\/b><\/p><p><b>GOMBERG REVISITED \u2014 Interpreting Franz Hautzinger\u2019s Gomberg Scores<\/b><\/p><p><span style=\"font-size: 10pt;\">Duration: \u00a0\u00a0 \u00a0 29\u201844\u201c<\/span><br \/><span style=\"font-size: 10pt;\">Featuring:\u00a0\u00a0 \u00a0Tiziana Bertoncini, violin | Irene Kepl, violin | noid, violoncello<\/span><br \/><span style=\"font-size: 10pt;\">Type:\u00a0\u00a0 \u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Recorded live at SUAL 2016<\/span><br \/><span style=\"font-size: 10pt;\">Credits:\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0 Audio recording and editing by AH<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-4bd39bc elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"4bd39bc\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-top-column elementor-element elementor-element-3a9e89d\" data-id=\"3a9e89d\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-80b1880 elementor-widget elementor-widget-text-editor\" data-id=\"80b1880\" data-element_type=\"widget\" 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data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap\">\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-e5a00be elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"e5a00be\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-4f7cf72\" data-id=\"4f7cf72\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-ac8f0bc elementor-widget elementor-widget-text-editor\" data-id=\"ac8f0bc\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><b><span style=\"font-size: 10pt;\">GOMBERG REVISITED <\/span><\/b><\/p>\n<p><span style=\"font-size: 10pt;\">After a three-year long hiatus Austrian trumpeter Franz Hautzinger returned in 2000, publishing his Solo-CD Gomberg to wide international acclaim. Presenting unusual playing and sound generating techniques, it disclosed a sophisticated and at the same time highly personal musical language. In the course of his \u2018comeback\u2019, Hautzinger also published a book of the same name in 2002, containing drawings resp. graphic score. In GOMBERG REVISITED a selection from it is going to be interpreted by Tiziana Bertoncini, Irene Kepl and noid. <\/span><\/p>\n<p><span style=\"font-size: 10pt;\">[Bernhard G\u00e1l]<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-d1295e7 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"d1295e7\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-fe615bc\" data-id=\"fe615bc\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-2b9a88c elementor-widget elementor-widget-text-editor\" data-id=\"2b9a88c\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><b><span style=\"font-size: 10pt;\">Franz Hautzinger<\/span><\/b><\/p><p><span style=\"font-size: 10pt;\">Detours often lead to more thrilling goals because they open up new perspectives. Franz Hautzinger has taken long and bendy detours and turned to many dead ends, he has spent years without instrumental activity and has made a hopeful new start. All this, those victories and defeats, this \u201cHistory from the Total Crash to \u2018Emergency Individualism\u2019\u201d, as he himself described it, made Franz Hautzinger the highly profiled musical personality that he is today. Born on March 11, 1963 in Seewinkel, Burgenland, a Hannibal Marvin Peterson concert at Jazzgalerie Nickelsdorf was the young trumpeter\u2019s \u201cawakening experience\u201d. He studied at the Jazz department of today\u2019s Art University in Graz from 1981 to 1983 until lip palsy forced him to take a six year total break from trumpeting. After moving to Vienna in 1986 he started in 1989 to explore the trumpet in his very own and un-academic way. He became attached to the circles around Christoph Cech and Christian M\u00fchlbacher, played in the Big Band \u201cNouvelle Cuisine\u201d and the octet \u201cStriped Roses\u201d; the CD \u201cZong of se Boboolink\u201d, which he recorded with saxophonist Helge Hinteregger and which was influenced by sampler collages was the first personal CD statement. His 10 month stay in London provided new ideas and contacts, amongst others Kenny Wheeler, Henry Lowther, John Russel, and Steve Noble. Hautzinger assimilated the stimuli in very different ways: in \u201eRegenorchester\u201c (\u201eRain Orchestra\u201c) with its changing instrumentation, in the quartet with Helge Hinteregger, Oren Marshall and Steve Noble as well as in the trio \u201cSpeakers\u2019 Corner\u201d with guitarist Martin Siewert and drummer Wolfgang Reisinger. The conscious decision to avoid electronic sound sources but to still comprehend the development of digital music on the trumpet \u2013 the quarter tone trumpet purchased in 1997 \u2013 were decisive stages for the creation of Franz Hautzinger\u2019s sensational solo trumpet CD Gomberg (2000) on which he presented this new until then unheard cosmos of sound that he had developed on his instrument. Hautzinger positioned himself with Gomberg at the front line of the international improvisation avant-garde; collaborations and CD records with Derek Bailey, the \u201cAMM\u201d veterans Keith Rowe and John Tilbury as well as Axel D\u00f6rner, Christian Fennesz or Otomo Yoshihide, and Sachiko M followed. The step into the world of decelerated sound microscopy and from 2003 on the re-discovery of musical sensualism, the confrontation of his trumpet sounds with groove and tunes (\u201cRegenorchester XI\u201d and XII) can be considered as important stages in his development. Franz Hautzinger teaches at the Vienna Music University since 1989, is a member of the Berliner Ensemble \u201cZeitkratzer\u201d since 1999 and received commissions from Klangforum Vienna amongst others. He is a globetrotter whose unmistakeable musical signature is known from Vienna to Berlin, London to Beirut, or in Tokyo, New York, and Chicago. Franz Hautzinger has shown that even in times where postmodernism is history an instrument can still be reinvented.<\/span><\/p><p><span style=\"font-size: 10pt;\">[Andreas Felber, translated by Astrid Donaubauer]<\/span><\/p><p><a href=\"http:\/\/www.franzhautzinger.com\" target=\"_blank\" rel=\"noopener\"><strong><span style=\"font-size: 10pt;\">http:\/\/www.franzhautzinger.com<\/span><\/strong><\/a><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-e205e44 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"e205e44\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-f10416d\" data-id=\"f10416d\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-49c988b elementor-widget elementor-widget-text-editor\" data-id=\"49c988b\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><b><span style=\"font-size: 10pt;\">Tiziana Bertoncini<\/span><\/b><\/p>\n<p><span style=\"font-size: 10pt;\">After graduating in violin and in painting Bertoncini played as interpreter in orchestras and chamber music ensembles. Since many years she has been focusing on contemporary music, written and improvised. Her work is developing from interpretation ad improvisation towards composition and collaboration with artists of other medias. At the same time her interest is focused on the crossing and synthesis between visual elements and music\/sound. She has been performing in many international festivals and contexts and has been part of numerous dance, theatre, video and multi-media projects, contributing the musical part of them. Her \u201csolo\u201d work includes composition, performance and installation. In 2011 her electro-acoustic piece \u201cNur Sand\u201d was awarded at the competition Ferrari (r)\u00e9cout\u00e9 announced by hr2-kultur, ZKM | Institute for Music and Acoustics. She is part of the ensemble]h[iatus, which moves in the territories of improvisation and interpretation of contemporary pieces. She was artist in residence at \u201cBridge guard \u2013 Residential Art\/Science Centre\u201d in St\u00farovo\/SK, AIR Krems, Centre National de Cr\u00e9ation Musicale C\u00e9sar\u00e9 in Reims\/F, K\u00fcnstlerhaus Eckernf\u00f6rde and GEDOK Schleswig-Holstein.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-6ec6164 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"6ec6164\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-94f57df\" data-id=\"94f57df\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-ddc78f8 elementor-widget elementor-widget-text-editor\" data-id=\"ddc78f8\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><b><span style=\"font-size: 10pt;\">Irene Kepl<\/span><\/b><\/p><p><span style=\"font-size: 10pt;\">The renowned violinist and composer studied classical violin, jazz and improvisation at the Anton Bruckner University in Linz. For a decade now, she\u2019s engaging explicitly in contemporary music, free improvisation and composition as well as jazz. Additionally, her work includes collaborations with theatres, film and dance. For her compositional work she has been chosen for grants and awards like the G. Mahler Prize, as well as the Theodor K\u00f6rner Composition prize, the Talent Promotional Fund for Composition Upper Austria and the Starting Grant of the BKA for Music, Austria. Additionally, she\u2019s been invited to residencies, most recently \u201cmusic OMI\u201d New York. Commissioned works for \u201cWiener Festwochen\u201d, ORF Musikprotokoll, Brucknerfest Linz, Tossi Company Arnhem\/NLD &amp; Hamburg\/Ger. As a musician she was invited to Klangspuren Tirol, Java Jazz Festival\/IO, 12points\/SE und Moers Festival\/Ger. The most recent projects are: SololoS (CD Fou records 2017), Violet Spin (CD Listen Closely 2017), Ensemble Verso, Kepl &amp; Holub (CD Slam records 2015), the resonators (CD Another Timbre 2016).<\/span><\/p><p><a href=\"http:\/\/www.irenekepl.at\" target=\"_blank\" rel=\"noopener\"><strong><span style=\"font-size: 10pt;\">http:\/\/www.irenekepl.at<\/span><\/strong><\/a><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-1944e81 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"1944e81\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-f3c41ca\" data-id=\"f3c41ca\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-9da1aba elementor-widget elementor-widget-text-editor\" data-id=\"9da1aba\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><b><span style=\"font-size: 10pt;\">noid (aka Arnold Haberl)<\/span><\/b><\/p><p><span style=\"font-size: 10pt;\">composer . performer . improviser | auricular . cello . electronic devices<\/span><\/p><p><span style=\"font-size: 10pt;\">his musical approach can be described as fundamental research. his works span a wide range of contradictory outcome, from solos to compositions for ensembles, from sound installations to videos. using electronics as well as acoustical instruments. consequently denying the borderline between music and sound-art. this lead him to collaborations with artists of different fields &#8211; choreographers, like jo\u00e3o fiadeiro, colette sadler, akemi takeya, philipp gehmacher, etc. &#8211; visual artists as for instance alexander schellow, heike kaltenbrunner, erik hable or andr\u00e9 goncalves. as an improviser he performs among others with: klaus filip, taku unami, o.blaat, axel doerner, christian weber, erikM, dieb13, kazuhisa uchihashi, burkhard stangl, yan jun, taku han-noda, carl stone, mattin, etc. he is programmer for the &#8220;ppooll&#8221; project: an open source \/ copyleft \/ freeware, designed for live \u2013 improvisation, composition, interactive installations, etc&#8230; together with klaus filip (the main programmer) he was invited to present this software at the cycling74 user conference in san francisco april 2009 [http:\/\/ppooll.klingt.org]. he is part of the organizing team for the annual \u201creheat\u201d interdisciplinary festival [http:\/\/reheat.klingt.org], and he was curating sound art exhibitions in the framework of the \u201ckonfrontationen nickelsdorf&#8221; festival in 2009 and 2010.<\/span><\/p><p><a href=\"http:\/\/noid.klingt.org\" target=\"_blank\" rel=\"noopener\"><strong><span style=\"font-size: 10pt;\">http:\/\/noid.klingt.org<\/span><\/strong><\/a><\/p><p><span style=\"font-size: 10pt;\">[info as of 12\/2016]<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>SUAL Archives | 2016 GOMBERG REVISITED \u2014 Interpreting Franz Hautzinger\u2019s Gomberg Scores Duration: &nbsp;&nbsp; &nbsp; 29\u201844\u201c Featuring:&nbsp;&nbsp; &nbsp;Tiziana Bertoncini, violin &hellip; <span class=\"more-button\"><a href=\"https:\/\/www.sual-archives.net\/css\/sual-archives\/2016-2\/gomberg-revisited\/\" class=\"more-link\">Continue Reading<span class=\"screen-reader-text\">GOMBERG REVISITED<\/span><\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":2105,"parent":108,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"folder":[],"class_list":["post-1465","page","type-page","status-publish","has-post-thumbnail","hentry"],"amp_enabled":true,"_links":{"self":[{"href":"https:\/\/www.sual-archives.net\/css\/wp-json\/wp\/v2\/pages\/1465","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.sual-archives.net\/css\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.sual-archives.net\/css\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.sual-archives.net\/css\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.sual-archives.net\/css\/wp-json\/wp\/v2\/comments?post=1465"}],"version-history":[{"count":4,"href":"https:\/\/www.sual-archives.net\/css\/wp-json\/wp\/v2\/pages\/1465\/revisions"}],"predecessor-version":[{"id":2116,"href":"https:\/\/www.sual-archives.net\/css\/wp-json\/wp\/v2\/pages\/1465\/revisions\/2116"}],"up":[{"embeddable":true,"href":"https:\/\/www.sual-archives.net\/css\/wp-json\/wp\/v2\/pages\/108"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.sual-archives.net\/css\/wp-json\/wp\/v2\/media\/2105"}],"wp:attachment":[{"href":"https:\/\/www.sual-archives.net\/css\/wp-json\/wp\/v2\/media?parent=1465"}],"wp:term":[{"taxonomy":"folder","embeddable":true,"href":"https:\/\/www.sual-archives.net\/css\/wp-json\/wp\/v2\/folder?post=1465"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}