{"id":1402,"date":"2019-03-29T17:32:32","date_gmt":"2019-03-29T16:32:32","guid":{"rendered":"http:\/\/www.samoizbor.me\/css\/?page_id=1402"},"modified":"2019-04-05T16:37:27","modified_gmt":"2019-04-05T14:37:27","slug":"peter-jakober","status":"publish","type":"page","link":"https:\/\/www.sual-archives.net\/css\/sual-archives\/2014-2\/peter-jakober\/","title":{"rendered":"Peter Jakober"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-post\" data-elementor-id=\"1402\" class=\"elementor elementor-1402\" data-elementor-post-type=\"page\">\n\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-7c46fbf elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"7c46fbf\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-0ba459a\" data-id=\"0ba459a\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-a04fd3e elementor-widget elementor-widget-text-editor\" data-id=\"a04fd3e\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><b>SUAL Archives | 2014<\/b><\/p><p><b>Peter Jakober:<\/b> <i>weit beisammen<\/i> for flute, clarinet and live electronics<\/p><p><span style=\"font-size: 10pt;\">Duration: \u00a0\u00a0 \u00a0\u00a0 10\u201819\u201c<\/span><br \/><span style=\"font-size: 10pt;\">Featuring: \u00a0\u00a0\u00a0\u00a0 Duo Souffl\u00e9 (Theresia Schmidinger, Clarinet | Doris Nicoletti, Flute)<\/span><br \/><span style=\"font-size: 10pt;\">Type:\u00a0\u00a0 \u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Recorded live at SUAL 2014<\/span><br \/><span style=\"font-size: 10pt;\">Credits:\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Audio recording by JF, editing by BG<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-cd24624 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"cd24624\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-top-column elementor-element elementor-element-2833f90\" data-id=\"2833f90\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-b2231c1 elementor-widget elementor-widget-text-editor\" data-id=\"b2231c1\" data-element_type=\"widget\" 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class=\"elementor-section elementor-top-section elementor-element elementor-element-5468ec6 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"5468ec6\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-f9ebddf\" data-id=\"f9ebddf\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-4351470 elementor-widget elementor-widget-text-editor\" data-id=\"4351470\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><b><span style=\"font-size: 10pt;\">weit beisammen<\/span><\/b><\/p>\n<p><span style=\"font-size: 10pt;\">for flute, clarinet and live-electronics, 2010<\/span><\/p>\n<p><span style=\"font-size: 10pt;\">Patterns of pulsations, bisbigliandos, quarter-tone trills and tonal scales are interwoven into dense, vibrant acoustic spaces. The live played sounds are simultaneously recorded and played back with a delay at minimal &#8211; faster or slower &#8211; factors. The velocity variations are generating temporal and harmonic microtonal textures, constructing a floating overall sound. The increasing density of the sound blurs the perception of the single sounds and their sources. After a peak in the middle of the piece, soft multi-phonics are remaining, whose characteristic beats undergo duplication, extension and opening. The accelerated playback of the live sound provokes a reflection of the phenomenon on the overall sound. The final soundscape of the piece is developed and shaped within this relationship. <\/span><\/p>\n<p><span style=\"font-size: 10pt;\">[Peter Jakober]<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-79d07d9 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"79d07d9\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-340d0a8\" data-id=\"340d0a8\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-fe6332a elementor-widget elementor-widget-text-editor\" data-id=\"fe6332a\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><b><span style=\"font-size: 10pt;\">Peter Jakober<\/span><\/b><\/p><p><span style=\"font-size: 10pt;\">Peter Jakober is adept at a range of instrumentations, from pieces for mixed choir to various chamber combinations, and like most composers in his generation, is completely at home both with live electronics and notated scores. He grew up in southern Styria, learning accordion and piano and began his studies at the University of Graz in technical mathematics, musicology and philosophy before beginning to study composition with Georg Friedrich Haas and Gerd K\u00fchr at the University for Music and the Performing Arts (Graz). He graduated in 2006 with distinction, receiving a promotional award for music from the city of Graz and in 2007 a state scholarship for composition from the Austrian government, as well as a scholarship for a four month stay in Rotterdam from Styria. He won first prize for &#8216;Puls 3&#8217;, a piece for an automated piano competition, &#8216;Ghost Note Competition&#8217;. He has had numerous performances and commissions with major new music ensembles in Austria and Europe, including the Ensemble Recherche, the Klangforum Wien, for festivals including Wien Modern, Musikprotokoll Graz, Paul Hofhaymer Music Festival, Klangspuren Schwaz and with the festival Sacra!. From 2003-2008 he organised a platform for young composers, H\u00f6rfest Graz, which he founded with Erich Ranegger. After stays abroad in Rotterdam and Cologne he currently lives in Vienna. \u00a0\u00a0\u00a0 <\/span><span style=\"font-size: 10pt;\"><br \/><\/span><\/p><p><span style=\"font-size: 10pt;\">[Text Tamara Friebel]<\/span><\/p><p><a href=\"http:\/\/www.peterjakober.com\" target=\"_blank\" rel=\"noopener\"><strong><span style=\"font-size: 10pt;\">http:\/\/www.peterjakober.com<\/span><\/strong><\/a><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-e4d8b41 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"e4d8b41\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-b74d088\" data-id=\"b74d088\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-ef75c77 elementor-widget elementor-widget-text-editor\" data-id=\"ef75c77\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><b><span style=\"font-size: 10pt;\">Duo Souffl\u00e9<\/span><\/b><\/p><p><span style=\"font-size: 10pt;\">The \u2018Duo Souffl\u00e9\u2019 was formed by Doris Nicoletti (flutes) and Theresia Schmidinger (clarinets) in 2005. The two musicians have commissioned numerous compositions and work in close cooperation with composers to expand the repertoire for the duo flute and clarinet. Contemporary music offers a wide field to explore the sounds of these two families of instruments. The rich colours and expressiveness of flute and clarinet, in both sound and noise, are the foundations which allow the creation of differing shades of blending, fusion and contrast. The duo sees a logical continuation between instrumental music and voice, and the artistic use of breath and air when playing a wind instrument. The duo have performed several theatrical pieces for speaking, singing and acting musicians and have also worked with writers, actors and dancers.<\/span><\/p><p><a href=\"http:\/\/www.duosouffle.com\" target=\"_blank\" rel=\"noopener\"><strong><span style=\"font-size: 10pt;\">http:\/\/www.duosouffle.com<\/span><\/strong><\/a><\/p><p><span style=\"font-size: 10pt;\">[info as of 11\/2014]<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>SUAL Archives | 2014 Peter Jakober: weit beisammen for flute, clarinet and live electronics Duration: &nbsp;&nbsp; &nbsp;&nbsp; 10\u201819\u201c Featuring: &nbsp;&nbsp;&nbsp;&nbsp; &hellip; <span class=\"more-button\"><a href=\"https:\/\/www.sual-archives.net\/css\/sual-archives\/2014-2\/peter-jakober\/\" class=\"more-link\">Continue Reading<span class=\"screen-reader-text\">Peter Jakober<\/span><\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":2078,"parent":130,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"folder":[],"class_list":["post-1402","page","type-page","status-publish","has-post-thumbnail","hentry"],"amp_enabled":true,"_links":{"self":[{"href":"https:\/\/www.sual-archives.net\/css\/wp-json\/wp\/v2\/pages\/1402","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.sual-archives.net\/css\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.sual-archives.net\/css\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.sual-archives.net\/css\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.sual-archives.net\/css\/wp-json\/wp\/v2\/comments?post=1402"}],"version-history":[{"count":5,"href":"https:\/\/www.sual-archives.net\/css\/wp-json\/wp\/v2\/pages\/1402\/revisions"}],"predecessor-version":[{"id":2090,"href":"https:\/\/www.sual-archives.net\/css\/wp-json\/wp\/v2\/pages\/1402\/revisions\/2090"}],"up":[{"embeddable":true,"href":"https:\/\/www.sual-archives.net\/css\/wp-json\/wp\/v2\/pages\/130"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.sual-archives.net\/css\/wp-json\/wp\/v2\/media\/2078"}],"wp:attachment":[{"href":"https:\/\/www.sual-archives.net\/css\/wp-json\/wp\/v2\/media?parent=1402"}],"wp:term":[{"taxonomy":"folder","embeddable":true,"href":"https:\/\/www.sual-archives.net\/css\/wp-json\/wp\/v2\/folder?post=1402"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}