{"id":1293,"date":"2019-03-28T11:23:03","date_gmt":"2019-03-28T10:23:03","guid":{"rendered":"http:\/\/www.samoizbor.me\/css\/?page_id=1293"},"modified":"2019-03-28T11:26:57","modified_gmt":"2019-03-28T10:26:57","slug":"aurelio-edler-copes","status":"publish","type":"page","link":"https:\/\/www.sual-archives.net\/css\/sual-archives\/2012-2\/aurelio-edler-copes\/","title":{"rendered":"Aur\u00e9lio Edler-Copes"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-post\" data-elementor-id=\"1293\" class=\"elementor elementor-1293\" data-elementor-post-type=\"page\">\n\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-95d8b53 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"95d8b53\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-75e2d14\" data-id=\"75e2d14\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-b9c561b elementor-widget elementor-widget-text-editor\" data-id=\"b9c561b\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><b>SUAL Archives | 2012<\/b><\/p><p><b>Aur\u00e9lio Edler-Copes:<\/b> <i>Cantiga <\/i>for accordion and sound projection<\/p><p><span style=\"font-size: 10pt;\">Duration: \u00a0\u00a0 \u00a010\u201800\u201c<\/span><br \/><span style=\"font-size: 10pt;\">Type:\u00a0\u00a0 \u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0 Recorded live at SUAL 2012<\/span><br \/><span style=\"font-size: 10pt;\">Credits:\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0 Audio recording by JF, editing by BG <\/span><br \/><span style=\"font-size: 10pt;\">Notes:\u00a0\u00a0 \u00a0\u00a0\u00a0 \u00a0\u00a0 Presented in conjunction with the shut up and listen! 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}  #wonderpluginaudio-62 .amazingaudioplayer-tracklistsearch { \tbox-sizing: border-box; \tpadding: 4px; }  #wonderpluginaudio-62 .amazingaudioplayer-tracklistsearch-input { \tbox-sizing: border-box; \twidth: 100%; }\");<\/script><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-top-column elementor-element elementor-element-79ab9ab\" data-id=\"79ab9ab\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap\">\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-73bc5ea elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"73bc5ea\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-3925d61\" data-id=\"3925d61\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-3430c23 elementor-widget elementor-widget-text-editor\" data-id=\"3430c23\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><span style=\"font-size: 10pt;\"><b>Cantiga<\/b> <\/span><\/p>\n<p><span style=\"font-size: 10pt;\">For accordion and sound projection<\/span><\/p>\n<p><span style=\"font-size: 10pt;\">In &#8220;Cantiga&#8221; (\u201cSong\u201d) I have taken as reference the Cantigas de Santa Maria, of Alfonso X &#8211; in particular those of number 1, 252, and 326 &#8211; with the aim of bringing to mind archaic sonorities establishing a dialogue with the sound universe of the electronic music. The accordion seemed to me the ideal instrument due to its high pitch and technical potentials which allow it to approach some textures typical of the electronic music as the same time as it creates sounds and articulations close to instruments of medieval music.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-5978513 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"5978513\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-1df5353\" data-id=\"1df5353\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-58c7e1b elementor-widget elementor-widget-text-editor\" data-id=\"58c7e1b\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><b><span style=\"font-size: 10pt;\">Aur\u00e9lio Edler-Copes<\/span><\/b><\/p><p><span style=\"font-size: 10pt;\">Aur\u00e9lio Edler-Copes (Brazil, 1976) graduated in composition with Gabriel Erkoreka at the Basque Country Advanced Centre of Music, Spain; Master Degree in Composition at the Hochschule der K\u00fcnst Bern by the tutelage of Georges Aperghis; postgraduate in Composition and Computer Music at the annual IRCAM\u2019s Cursus in Paris. He also studied with Sciarrino, Saariaho, Furrer, Ferneyhough, Lang, Leroux, Hurel, Andre, L\u00f3pez-L\u00f3pez, Sotelo, S\u00e1nchez-Verd\u00fa, among others, in festivals as Acanthes, Impuls, Matrix, Injuve\u2026 His pieces have been awarded in a dozen of composition competitions (Injuve, Franz Joseph Reinl-Stiftung, Ensemblia, Pablo Sorozabal, C\u00e1tedra Manuel de Falla, Fundaci\u00f3n Autor\u2019s Prize, Verdi Competition, BAMDialogue, HIC-USA, Francisco Escudero, Prix Roma\u2026) and are interpreted by soloists and ensembles as Klangforum Wien, MusikFabrik, Quatuor Diotima, Itin\u00e9raire, Vortex, Sond\u2019ar-te Ensemble, OENM, Grup Instrumental de Valencia, Bilbao\u2019s Symphonic Orchestra, Orchestra National de Lorraine, among others. He was Prix Roma of the Spanish Government working as composer in residence at the Royal Academy of Spain in Rome in 2010- 2011. He was also artistic member and composer in residence at the French Academy in Madrid &#8211; Casa de Vel\u00e1zquez in 2011-2012. He currently lives in Paris, works in different composition projects and is artistic director of the Krater Ensemble, from Spain. From July to September 2013 he will be composer in residency at the Kyoto Arts Center in Japan.<\/span><\/p><p><a href=\"http:\/\/www.edler-copes.com\" target=\"_blank\" rel=\"noopener\"><strong><span style=\"font-size: 10pt;\">http:\/\/www.edler-copes.com<\/span><\/strong><\/a><\/p><p><span style=\"font-size: 10pt;\">[info as of 11\/2012]<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>SUAL Archives | 2012 Aur\u00e9lio Edler-Copes: Cantiga for accordion and sound projection Duration: \u00a0\u00a0 \u00a010\u201800\u201cType:\u00a0\u00a0 \u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0 Recorded live at &hellip; <span class=\"more-button\"><a href=\"https:\/\/www.sual-archives.net\/css\/sual-archives\/2012-2\/aurelio-edler-copes\/\" class=\"more-link\">Continue Reading<span class=\"screen-reader-text\">Aur\u00e9lio Edler-Copes<\/span><\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":844,"parent":309,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"folder":[],"class_list":["post-1293","page","type-page","status-publish","has-post-thumbnail","hentry"],"amp_enabled":true,"_links":{"self":[{"href":"https:\/\/www.sual-archives.net\/css\/wp-json\/wp\/v2\/pages\/1293","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.sual-archives.net\/css\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.sual-archives.net\/css\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.sual-archives.net\/css\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.sual-archives.net\/css\/wp-json\/wp\/v2\/comments?post=1293"}],"version-history":[{"count":2,"href":"https:\/\/www.sual-archives.net\/css\/wp-json\/wp\/v2\/pages\/1293\/revisions"}],"predecessor-version":[{"id":1295,"href":"https:\/\/www.sual-archives.net\/css\/wp-json\/wp\/v2\/pages\/1293\/revisions\/1295"}],"up":[{"embeddable":true,"href":"https:\/\/www.sual-archives.net\/css\/wp-json\/wp\/v2\/pages\/309"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.sual-archives.net\/css\/wp-json\/wp\/v2\/media\/844"}],"wp:attachment":[{"href":"https:\/\/www.sual-archives.net\/css\/wp-json\/wp\/v2\/media?parent=1293"}],"wp:term":[{"taxonomy":"folder","embeddable":true,"href":"https:\/\/www.sual-archives.net\/css\/wp-json\/wp\/v2\/folder?post=1293"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}