{"id":106,"date":"2019-02-22T20:30:53","date_gmt":"2019-02-22T19:30:53","guid":{"rendered":"http:\/\/www.samoizbor.me\/css\/?page_id=106"},"modified":"2019-04-05T17:31:55","modified_gmt":"2019-04-05T15:31:55","slug":"2017-2","status":"publish","type":"page","link":"https:\/\/www.sual-archives.net\/css\/sual-archives\/2017-2\/","title":{"rendered":"2017"},"content":{"rendered":"\t\t
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shut up and listen! 2017<\/span><\/strong>
<\/span><\/strong><\/p>

LET\u2019S READY!<\/span><\/strong><\/p>

Thursday, December 7, 2017<\/span><\/u><\/p>

Regal Pleasures (off-the-shelf)<\/b> \u2014 participatory performance<\/span><\/p>

Erwin Stache<\/a>:<\/b> Objekte und Klangsensorik<\/i><\/span><\/p>

Phonographie-Ensemble<\/a>: <\/b>Ready-Sounds<\/i><\/span>
featuring Ang\u00e9lica Castell\u00f3<\/a> | Martina Claussen<\/a> | Barbara Kaiser<\/a> | Billy Roisz<\/a><\/b><\/span><\/p>

Friday, December 8, 2017<\/span><\/u><\/p>

Peter Ablinger:<\/a><\/b> Weiss\/Weisslich 22<\/a><\/i> \u2014 sound projection<\/span><\/p>

Ernst Reitermaier \/ institut f\u00fcr transakustische forschung<\/a>:<\/a><\/b> coffee<\/i><\/span><\/p>

Peter Ablinger<\/a>:<\/b> Renate Fuczik<\/a><\/i> for piano and 1 loudspeaker <\/span>
Peter Ablinger<\/a>:<\/b> In G<\/a><\/i> for cello and environment<\/span>
featuring Peter Ablinger<\/b>, sound direction | Matthias Lorenz<\/a><\/b>, violoncello | Jaime Wolfson<\/a><\/b>, piano<\/span><\/p>

Steve Reich<\/a><\/b>: Pendulum Music<\/i><\/span>
Realisation: Oliver Stotz<\/a><\/b><\/span><\/p>

Saturday, December 9, 2017<\/span><\/u><\/p>

Leif Inge<\/a><\/b>: 9 Beet Stretch<\/i> \u2014 listening room<\/span><\/p>

afterwards: brunch<\/span><\/p>

December 7-9, 2017<\/span><\/u><\/p>

Peter Ablinger<\/b>: Hinweisst\u00fccke <\/i>\u2014 exhibition<\/span>
<\/b><\/span><\/div>
Bernhard G\u00e1l<\/b>: Duchamp Memorial Wall <\/i>\u2014 installation<\/span><\/div>
Petra Sandner<\/b>: Die Aura der Braut<\/i> \u2014 exhibition<\/span>
<\/b><\/span><\/div>
Helmut Seethaler<\/b>: Pfl\u00fccktexte <\/i>\u2014 installation<\/span><\/div>

Erwin Stache<\/b>: Kl\u00e4nge aufger\u00e4umt<\/i> \u2014 exhibition<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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December 7-9, 2017 | echoraum<\/b><\/span><\/p>

2017 marks the centennial celebration of Marcel Duchamp’s Fountain<\/i> \u2014 a welcome occasion for the twelfth edition of shut up and listen!<\/i> to focus on current artistic approaches towards the phenomenon \u201cready-made\u201d. Thinking about ready-made<\/i> in a sound-related context suggests a focus on the listening process itself, thus field recordings<\/i> and other \u201cconcrete\u201d hearing perspectives come to mind instantaneously. At the same time, object-oriented aspects of auditory perception, audio-sculptural manifestations or sound qualities of everyday objects, are in the center of attention.<\/span><\/p>

In Regal Pleasures (off-the-shelf)<\/i>, a standard metal shelving rack turns into a sound work while being constructed. The German sound artist Erwin Stache transforms everyday objects into musical instruments. Additionally he presents a selection of his highly imaginative sound objects in an exhibition which may be explored throughout the festival. The especially reinvigorated Phonographie-Ensemble<\/i> features Ang\u00e9lica Castell\u00f3, Martina Claussen, Barbara Kaiser und Billy Roisz, improvising on the basis of untreated field recordings. The second festival evening takes off with the sound universe of filter coffee machines in a performance by Ernst Reitermaier, representing the institut f\u00fcr transakustische forschung<\/i>. Peter Ablinger condenses all exisiting symphonies of selected composers into 40-seconds long listening experiences, while not leaving away a single note. In his work Renate Fuczik<\/i>, \u201chistoric\u201d voice recordings of the Austrian telephone speaking clock are combined in real-time with piano sounds, while with In G<\/i> Ablinger juxtaposes the \u201csound object\u201d cello with subtle environmental sounds. Oliver Stotz realises a site-specific version of Steve Reich\u2018s Pendulum Music<\/i>, for four microphones and four amplifiers. The traditional listening room features an hour-long excerpt of Leif Inges 9 Beet Stretch<\/i>, a 24-hours long sound augmentation of Beethoven\u2019s Ninth. Permanent festival contributions include Peter Ablinger\u2018s Hinweisst\u00fccke<\/i>, a series of conceptual pieces pointing towards specific listening strategies. With Duchamp-Memorial Wall<\/i>, Bernhard G\u00e1l comments on the ready-mades Bicycle Wheel, Bottle Rack and Fountain. Visual artist Petra Sandner reflects in Die Aura der Braut<\/i> Duchamp\u2019s work The Large Glass<\/i> and, last but not least, the Viennese \u201dstreet poet\u201d Helmut Seethaler is invited to occupy echoraum\u2019s staircase with his \u201dnote poems\u201d.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

shut up and listen! 2017 LET\u2019S READY! Thursday, December 7, 2017 Regal Pleasures (off-the-shelf) \u2014 participatory performance Erwin Stache: Objekte … Continue Reading2017<\/span><\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":2126,"parent":96,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"folder":[],"class_list":["post-106","page","type-page","status-publish","has-post-thumbnail","hentry"],"amp_enabled":true,"_links":{"self":[{"href":"https:\/\/www.sual-archives.net\/css\/wp-json\/wp\/v2\/pages\/106","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.sual-archives.net\/css\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.sual-archives.net\/css\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.sual-archives.net\/css\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.sual-archives.net\/css\/wp-json\/wp\/v2\/comments?post=106"}],"version-history":[{"count":17,"href":"https:\/\/www.sual-archives.net\/css\/wp-json\/wp\/v2\/pages\/106\/revisions"}],"predecessor-version":[{"id":2127,"href":"https:\/\/www.sual-archives.net\/css\/wp-json\/wp\/v2\/pages\/106\/revisions\/2127"}],"up":[{"embeddable":true,"href":"https:\/\/www.sual-archives.net\/css\/wp-json\/wp\/v2\/pages\/96"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.sual-archives.net\/css\/wp-json\/wp\/v2\/media\/2126"}],"wp:attachment":[{"href":"https:\/\/www.sual-archives.net\/css\/wp-json\/wp\/v2\/media?parent=106"}],"wp:term":[{"taxonomy":"folder","embeddable":true,"href":"https:\/\/www.sual-archives.net\/css\/wp-json\/wp\/v2\/folder?post=106"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}