{"id":104,"date":"2019-02-22T20:30:43","date_gmt":"2019-02-22T19:30:43","guid":{"rendered":"http:\/\/www.samoizbor.me\/css\/?page_id=104"},"modified":"2019-04-05T17:45:17","modified_gmt":"2019-04-05T15:45:17","slug":"2018-2","status":"publish","type":"page","link":"https:\/\/www.sual-archives.net\/css\/sual-archives\/2018-2\/","title":{"rendered":"2018"},"content":{"rendered":"\t\t
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shut up and listen! 2018<\/span><\/strong>
<\/span><\/strong><\/p>

SONDERNFALLS<\/span><\/strong><\/p>

Thursday, December 6, 2018<\/span><\/u><\/p>

noid<\/a>:<\/b> instant multidigmen<\/a> | ensemble resonance<\/a><\/i><\/span>
featuring the Ensemble Sonderfall:<\/a><\/b><\/i> Cordula B\u00f6sze<\/a><\/b>, flute | Susanna Gartmayer<\/a><\/b>, clarinet | <\/span>Jakob Gnigler<\/a><\/b>, saxophone | MS Mutt<\/a><\/b>, electric guitar | noid<\/a><\/b>, violoncello<\/span><\/p>

Klaus Filip<\/a>:<\/b> Sonic Dust<\/i> \u2014 audiovisual performance<\/span><\/p>

Matija Schellander:<\/a> <\/b>ohne mich w\u00e4re alles noch viel schlimmer<\/i> for performer and noise<\/span>
Matija Schellander<\/a>:<\/b> The Drill <\/i>for double bass and white noise<\/span><\/p>

Friday, December 7, 2018<\/span><\/u><\/p>

Heustadel<\/a> – <\/span><\/b>Baschet-Musik<\/span><\/i>
featuring pupils of the AHS Heustadelgasse<\/a><\/b><\/span>
cooperation: Burkhard Stangl<\/b> | Lynn Loibner<\/b> | Direction: Hans Schneider<\/a><\/b><\/span><\/p>

Christian Wolff<\/a>:<\/b> Sticks | Stones<\/i><\/span>
mdw scratch orchestra<\/a><\/b><\/i> (University of Music and Performing Arts Vienna)<\/span>
featuring\u00a0Erik Emil Eskildsen<\/a> <\/b>| Sara Gregori\u010d<\/a> <\/b>| Ahoo Maher<\/a><\/b> | Christina Ruf<\/a><\/b> | Martin \u0160kubal<\/a><\/b><\/span>
direction: Gunter Schneider<\/a><\/b><\/span><\/p>

Schimana\/noid<\/a><\/b>: Hautk\u00f6rper<\/i><\/span>
featuring Elisabeth Schimana<\/b>, live model-generation | noid<\/b>, violoncello\/transducer<\/span><\/p>

Saturday, December 8, 2018<\/span><\/u><\/p>

Christine Sch\u00f6rkhuber<\/b>: Sonderfall Alltag<\/i> \u2014 soundwalk<\/span><\/p>

afterwards: brunch<\/span><\/p>

December 6-8, 2018<\/span><\/u><\/p>

#Sonderfall 0,5<\/a><\/b> \u2013 Bei diesem Werk handelt es sich nicht um Musik <\/i>\u2014 exhibition<\/span>
Direction: Cordula B\u00f6sze<\/a><\/b> and Arnold Haberl<\/a><\/b><\/span><\/p>

0.00-\u221e<\/i> \u2014 special scores by Alphonse Allais<\/b> | Erwin Schulhoff<\/b> | John Cage<\/b><\/span><\/p>

\u00c9dgar Guzm\u00e1n<\/a>:<\/b> Autorretrato \u2014 installed sound composition<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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December 6-8, 2018 | echoraum<\/b><\/span><\/p>

The 13th edition of shut up and listen!<\/i> takes a closer look at the label \u201cSONDERFALL\u201d (i.e. special case) \u2014 \u201cundisciplined\u201d sound practices which frequently find themselves beyond the so-called norm. In this respect, at shut up and listen!<\/i> everything remains as it was. Under the category Sonderfall<\/i>, the Austrian rights society for authors, composers and music publishers (AKM) places, among others\u201a \u201cworks that merely consist of verbal instructions or works that quantitatively show low musical content\u201d<\/i>. As a result, the affected compositions may receive up to six times lower royalty payments than others. Such underprivileged special cases \u00e0 la AKM and their composers are the focus of this year\u2019s festival.<\/span><\/p>

With the exhibition #Sonderfall 0,5 \u2013 Bei diesem Werk handelt es sich nicht um Musik<\/i>, Cordula B\u00f6sze and Arnold Haberl present a selection of \u201cSonderfall\u201d compositions and related works. Notational special cases are highlighted with \u201ctoneless\u201d scores by Alphonse Allais, Erwin Schulhoff and John Cage. On the occasion of his first visit to Europe, Mexican composer \u00c9dgar Guzm\u00e1n presents the installative sound work Autorretrato<\/i>, asking the audience to complete the proposed compositional process. The Ensemble Sonderfall<\/i> (consisting of: Cordula B\u00f6sze, Susanna Gartmayer, Jakob Gnigler, MS Mutt, noid) performs two very special works by noid. Klaus Filip devotes his attention to the sonic side of dust and Matija Schellander performs two solo, among them another AKM-Sonderfall<\/i>. Guided by the music pedagogue Hans Schneider, high schoolers of the AHS Heustadelgasse<\/i> present a jointly developed improvisation on original Baschet instruments. Under the direction of Gunter Schneider, the mdw scratch orchestra<\/i> (University of Music and Performing Arts Vienna) perform Sticks <\/i>and Stones <\/i>by Christian Wolff, according to AKM philosophy \u201cmerely\u201d verbally notated works. In collaboration with noid (violoncello), Elisabeth Schimana presents her project Hautk\u00f6rper<\/i>. The concluding third festival day features a soundwalk through the adjacent Viennese neighborhood of the echoraum, conceived by Christine Sch\u00f6rkhuber, followed by the traditional festival brunch.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

shut up and listen! 2018 SONDERNFALLS Thursday, December 6, 2018 noid: instant multidigmen | ensemble resonance featuring the Ensemble Sonderfall: … Continue Reading2018<\/span><\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":2139,"parent":96,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"folder":[],"class_list":["post-104","page","type-page","status-publish","has-post-thumbnail","hentry"],"amp_enabled":true,"_links":{"self":[{"href":"https:\/\/www.sual-archives.net\/css\/wp-json\/wp\/v2\/pages\/104","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.sual-archives.net\/css\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.sual-archives.net\/css\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.sual-archives.net\/css\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.sual-archives.net\/css\/wp-json\/wp\/v2\/comments?post=104"}],"version-history":[{"count":19,"href":"https:\/\/www.sual-archives.net\/css\/wp-json\/wp\/v2\/pages\/104\/revisions"}],"predecessor-version":[{"id":2140,"href":"https:\/\/www.sual-archives.net\/css\/wp-json\/wp\/v2\/pages\/104\/revisions\/2140"}],"up":[{"embeddable":true,"href":"https:\/\/www.sual-archives.net\/css\/wp-json\/wp\/v2\/pages\/96"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.sual-archives.net\/css\/wp-json\/wp\/v2\/media\/2139"}],"wp:attachment":[{"href":"https:\/\/www.sual-archives.net\/css\/wp-json\/wp\/v2\/media?parent=104"}],"wp:term":[{"taxonomy":"folder","embeddable":true,"href":"https:\/\/www.sual-archives.net\/css\/wp-json\/wp\/v2\/folder?post=104"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}